Austin By Night – Art [Layer 6]

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“I have to make a phone call,” says Molly, her voice in a panic as she continues to look at my screen and dial her phone. Her contact had disappeared off the grid right before our eyes and the chances that he might have been black bagged have become pretty real to us. Molly starts to pace in front of me in the parking lot, while I sit here with my laptop. We continue ignoring the cops that are nearly fifty yards away and she’s biting her nails.

“Ohhhh fuck…” she looks down at her phone, now thoroughly pissed off.

“What happened?” I ask.

“I can’t get to my other contact,” she yells at me, “he might be walking into a trap!”

“Where is he? I can pull him up using the IR system,”

“The Austonian,” she tells me.

I look up at the tall, blue and white lit, skyscraper that lords over the rest of the night skyline in its cylindrical brilliance. For a moment I start to wonder just how many more guys she has on call to do these kinds of jobs.

“Give me a sec’,” I tell her, and I make a few quick keystrokes to pull up the IR and CCTV cams within the building.

My laptop freezes for a moment as it processes the command (and reminds me to upgrade the processor) and I’m flooded by nearly a hundred digital windows full of live feeds that are monitoring the Austonian inside and out. The two-month-old backdoor that I had installed within the serves of the private security firm Grande International was starting to pay its dividends.

“Where is he?” I ask Molly.

“He’s inside one of the condos,” says Molly, “He’s trying to pull something from a PC.”

I type another set of keystrokes that organizes the feeds in a horizontal order and start rapidly swiping with my finger. I feels as if I’m flipping through physical files, one folder after another as each feed appears for a moment before folding itself back into the digital pile and moves to the left of the screen as I replace it with another swipe in my search for Molly’s second man.

“Stop!” she shouts.

We end up looking at a feed shoot from a surveillance camera perched on a high corner of a guy in a white and chrome furnished pent house condo with the lights off. He’s wearing all black and a ski mask as he types away trying to break a password on a desktop PC, via some laptop intrusion deck that he has hooked into the desktops tower.

“Holy shit,” Molly breathes out, “We need to get him out of there.”

“The phones not working?” I ask

“No, someone is blocking the signal,” she says, panicking again, “can we get sound on these things?”

“No, the feeds aren’t equipped with microphones,” I tell her, my pulse starting to race. I know that something bad is about to happen.

The man in the ski mask stops typing and looks up from his deck. He takes his hands off the keyboards, raises his hands and turns around. He then jerks back and falls over against the table, red mist exploding and staining the computers with his blood behind him. He gets shot once again, doubles over, and falls on the ground.

“Molly,” I ask, my voice trembling, “what the hell have you gotten us into?”

We watch the screen, stunned into silence as we see a woman walk into view of the camera. She’s a brunette and is wearing business clothes, black leather gloves and is carrying a silenced pistol. She fires one last shot at the guys head and looks at the body for a moment before bending down and looking through his pockets. We see her take out his phone and flip it open as she takes out a cord from her belt and plugs it into the phone: a tracer. We watch her dial a number using the man’s cell and my heart stops.

I look at the phone in Molly’s hand and we both freeze as it starts to ring. Phone number: unknown.

Copyright © 2017 Philip N.R Hauser

 

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